![]() You don’t see living legends, old gods almost dead or the masthead of a train-kept-a-rollin’ Stones Inc. It seems obvious, yeah, but given What We Talk About When We Talk About the Stones now, it’s the first thing you forget. There’s something about this partnership in particular that creates a rock alchemy that’s singular and miraculous. Check out these two musicians casually playing, with decades of friendship and fist fights and bad blood and the sort of bonding that only brothers and platoon mates who’ve seen combat together have, and you see why these guys have stuck it out for so damned long. The director lets the song play out in full, in a single, static shot. It’s just Mick, Keith, and an acoustic guitar. They then launch into “Honky-Tonk Women,” or more specifically, the spare, Bakersfield-sound version known as “Country Honk” that’s on Let It Bleed. As Dugdale catches Mick Jagger and Keith Richards reminiscing about old times and, ahem, old conquests backstage in Brazil, he suddenly shifts to the two of them sitting on fold-out chairs, a guitar in Richards’ hands. The Private Lives of Liza Minnelli (The Rainbow Ends Here)ħ0 Greatest Music Documentaries of All Time ![]()
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January 2023
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